PerformersSamuel Arce Cuiza, Paulo Amendoeira, Frauke Aulbert, Frank Bretschneider, Alvaro Cabrera Irina, Gabriel Capajeña Balderrama, Lin Chen, Willy Chura Alarcon, Dirk Dullmaier, Adriaana Escobar Carvajal, Karen Fritz, Einar Fuentes Nina, Max Gausepohl, Carlos Gutiérrez Quiroga, Katharina Hampe, Elena Khurgina, Peter Kutin, Ariel Laura Huancani, Jeanne Lavalle, Patrik Lechner, Tatiana Lopez Churata, María Victoria Medina Guayao, Mayra […]
The Bolivian Orquesta Experimental de Instrumentos Nativos (OEIN) is invited as ensemble-in-residence for 2027. The OEIN is operating less as a traditional ensemble and more as a collective platform for research, experimentation, and creation. Rooted in the sonic knowledge of the Andean region, the group has expanded its practice beyond performance to engage deeply with […]
The Orquesta Experimental de Instrumentos Nativos (OEIN) is a collective of sonic research and creation that works from Indigenous Andean musical practices to develop contemporary forms of composition, listening, and performance. In recent years, the OEIN has consolidated itself as a singular force within contemporary music, operating less as a traditional ensemble and more as […]
Marta Zapparoli is an Italian sound and radio artist, composer, performer, improviser, and independent researcher based in Berlin. She holds degrees in sculpture from the Academy of Fine Arts in Bologna, fine arts in Verona, soprano saxophone, and trained as a sound technician. Active in sound art since 2003, her main investigation is in the […]
Frank Bretschneider is a musician, composer and video artist based in Berlin. His work is known for precise sound placement, complex, interwoven rhythm structures and its minimal, flowing approach. Bretschneider’s subtle and detailed music is echoed by his visuals: perfect translated realizations of the qualities found in music within visual phenomena. Bretschneider was raised in […]
Vluor (Heather, arable landscape, field) is a sound and spatial installation comprising hay, wool, ceramic objects, medicinal plants and sound generators distributed throughout the space. Visitors approach and enter into a dialogue with a soundscape composition made up of multi-layered sounds from places and living beings. Ancient cultural techniques, tied to fauna, landscape and the […]
Performers
Samuel Arce Cuiza, Paulo Amendoeira, Frauke Aulbert, Frank Bretschneider, Alvaro Cabrera Irina, Gabriel Capajeña Balderrama, Lin Chen, Willy Chura Alarcon, Dirk Dullmaier, Adriaana Escobar Carvajal, Karen Fritz, Einar Fuentes Nina, Max Gausepohl, Carlos Gutiérrez Quiroga, Katharina Hampe, Elena Khurgina, Peter Kutin, Ariel Laura Huancani, Jeanne Lavalle, Patrik Lechner, Tatiana Lopez Churata, María Victoria Medina Guayao, Mayra Ochoa Clayre, Ethan Olmos Cuiza, Pablo Olmos Cuiza, Gwinneth Quisbert Maldonado, Niko Rea Perez, Marta Zapparoli
Ensembles
Orquesta Experimental de Instrumentos Nativos (OEIN), Potato Soup + Truffles, spiegel~
Compositions / Improvisations by
Paulo Amendoeira, Frauke Aulbert, Frank Bretschneider, Raven Chacón, Dirk Dullmaier, Karen Fritz, Max Gausepohl, Carlos Gutiérrez Quiroga, Katharina Hampe, Elena Khurgina, Peter Kutin, Jeanne Lavalle, Matías Rosales, Katharina Rosenberger, Tania Rubio, Annette Schlünz, Ying Wang, Marta Zapparoli, Agata Zubel
Films / Audiovisuals / Installations by
Frank Bretschneider, Patrik Lechner, spiegel~
The Bolivian Orquesta Experimental de Instrumentos Nativos (OEIN) is invited as ensemble-in-residence for 2027. The OEIN is operating less as a traditional ensemble and more as a collective platform for research, experimentation, and creation. Rooted in the sonic knowledge of the Andean region, the group has expanded its practice beyond performance to engage deeply with questions of listening, memory, and the evolving life of indigenous musical systems.
OEIN’s performances emphasize spatialization, embodiment, and the social dimension of sound. The ensemble frequently reconfigures the relationship between musicians and audience, creating immersive environments where listening unfolds as a shared experience.
Through this sustained work, OEIN has positioned itself at the intersection of indigenous knowledge and experimental music, contributing a distinct voice to global contemporary discourse.
